Even a full omniscient third should have some distinctive voice to it that varies with the needs of the story, if you're doing it right.
Like I'm not saying the writer's developed style is irrelevant, but if the narrative voice is blandly identical in everything you write, rather than being part of how you build the story, that's not. Good?
Re: DNW Workshop
Like I'm not saying the writer's developed style is irrelevant, but if the narrative voice is blandly identical in everything you write, rather than being part of how you build the story, that's not. Good?